Splace-Linz
2023
I believed that if I were to create any artwork in this context, its true audience would be in Iran. Producing images for European curiosity about Iran or recounting the regime's horrors felt misplaced within the frame of activist work. Instead, I sought to resist the urge to confine the revolution to the aesthetics of art.
In *Non-Exhibition*, following one of the protests we organized in Linz, I invited participants to an art space where a blank canvas awaited. Rather than presenting a finished piece, I encouraged everyone to fill the empty canvas with their slogans, desires, and messages—an open-ended, collective act without a definitive conclusion or end. It was simply a milestone in an ongoing process, a space to allow the revolution to breathe and resist being framed or defined while it was still alive.
This act was an echo of the streets, calling us to return to them. I refused to contain an ongoing revolution within a gallery. Instead, I sought to nurture its energy, letting it flourish and rise within us as a living force.